Contact

Current: Graduate Research at The University of Melbourne

2020

‘The Posthuman & New Materialism’, Utrecht University - Faculty of Humanities

2018

'How Dance Thinks' Advanced Master level at Stockholm University of the Arts

2013

• Bachelor of Dance Victorian College of the Arts, The University of Melbourne

2022

• Tributary, as part of Practicing Futures While Grieving in Eight Movements 1-8, Klosterruine Berlin

2021

• Do you feel the same with Fanny Gicquel at Hua International
• Cry Carpet at MPavilion and Tokyo Art Bookfair

2020

• Listening Action (for Dancehouse Diary #12 and Altered Zones)
• Do Nothing with Deborah Birch, Seventh Gallery
• Body Crying for Home Cooking

2019

• No matter what with Megan Payne at Movement Research at Judson Church
• Womb Cave with Deborah Birch at rile.space as part of Next to all those organs you love
• Mattering with Megan Payne, within Crush by Jacqui Shelton in the frame of 'OCTOPUS 19 - VENTRILOQUY' at Gertrude Contemporary
• Mattering with Megan Payne, PSAS, Perth

2018

• Continuous Monument with Ellen Davies at MPavilion
• P∞l with Sam Khoshbin and Asher Shay-Nemirow commissioned by The Watermill Center (US)
• Tongue rolls between smiles with Megan Payne, FUR Hairdressing (June), Bus Projects (August) in Lessons from Dancing curated by Zoe Theodore and TO DO / TO MAKE at 215 Albion Street, Brunswick in association with Neon Parc
• Surface Practice with Ellen Davies for HASTY WORK as part of WORKAROUND – WOMEN DESIGN ACTION at RMIT Design Hub
• A Symmetry Project for St. Michael’s Grammar School, Gasworks Theatre
• Future City Inflatable with Ellen Davies, Next Wave Festival
• Solutions commissioned by Practice Studio Practice at Pitch Festival

2017

• Imaginary Dances in the frame of Alternativen zum Selbst, Performing Arts Festival Berlin, Kunsthaus KuLe
• Beyond Before (Woolloomooloo), 2017, curated in re-dance, ada studio, Uferstudios
• Crystal Anniversary, VULVA CLUB #15, hosted by Female Trouble at Tanztage, Sophiensaele

2016

• Before The Fact, Keir Choreographic Award, Dancehouse
• Now Is Not The Place, Murray White Room, Melbourne

2015

• SHIP with Rachell Clark, NAH DRAN, ada Studio, Uferstudios

2023

• Hustle Harder by Adam Linder, MCA, Sydney
• Tirana by Luísa Saraiva, Lisbon & Leuven

2022

• Companion by Hana Erdman at Hau 3, Tanzim August
• Choreographing Politics by Jérôme Bel at Bode Museum
• Tirana by Luísa Saraiva, Museum Folkwang (Essen) and Serralves (Porto)
• Cancelled by Maria Hassabi, LUMA, Arles; FRONT, Cleveland; Hellerau, Dresden
• HERE by Maria Hassabi, OGR, Torino
• Bioswap by SEE! Collective, Koln and Berlin

2021

• Bioswap development by SEE! Collective, Koln
• HERE by Maria Hassabi at Vienna Secession
• Studio research with Jude Walton
• Public Relations by Chloe Chignell (residency at BUDA)
• Hearsay development with Luísa Saraiva

2020

• Animal Companion by Hana Erdman at Tanznacht Berlin

2019

• Entre Deux Actes (Ménage à Quatre) by Nairy Baghramian and Maria Hassabi, The Kitchen | Performa 19, New York (US)
• Two Planets Have Been Colliding for Thousands of Years, 2017 by Dora García, Walking Through Walls, Martin Gropius Bau
• Die Zukunft a Menti with Cammack Lindsey [i.ruuu ]
• FIGURES by Maria Hassabi (June 14, 15 / GIACIMENTA in the frame of MATERA 2019, Matera (Italy); June 29, 30 / Künstlerhaus Bregenz, Bregenz (Austria); July 20, 21 / MUDAM Luxembourg Museum, Luxembourg City (Luxembourg); May 28 / OUT SCORE at Aixoni Sculpted Theater, Athens (Greece)
• Afterwater a film by Dane Komljen, choreography by Rose Beermann
• Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Haus der Kultur der Welt, as part of the event Life Forms, Berlin and at Centre National de la Danse - Pantin, as part of the series, Repertoire
• Still Untitled by Xavier Le Roy, Centre National de la Danse - Pantin, as part of the series, Repertoire
• Affection Play with Rowan Oliver in the frame of Personal Touch at Incinerator Gallery

2018

• Affection Play with Rowan Oliver, wherelunga, Perth and Itchy at SEVENTH Gallery
• Sinkhole by Jess Gall, Arini Byng and Rebecca Jenson as part of Why Listen to Plants? curated by Liquid Architecture and Irene Rose gallery, Melbourne
• Exoplanets by Alicia Frankovich at Monash University Museum of Art
• Light, colour and quiet conversations by Sarah Aiken, presented as a part of Critical Mass in Melbourne Fringe at Brunswick Mechanics Institute
• Right of Reply for ‘Brief Sheet’ by Augusta Vinall Richardson
• BEHAVIOUR part 7 by Shelley Lasica, TO DO / TO MAKE at 215 Albion Street, Brunswick in association with Neon Parc and Union House, The University of Melbourne
• We Can’t Wait Much Longer by Noodlerice + Friends at The Watermill Center for TIME BOMB: The 25th Annual Watermill Center Summer Benefit & Auction
• Line & Curve by Rowan Oliver, Alaska Projects, Sydney
• Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Tanzplattform Deutschland, PACT Zollverein, Essen
• Replay (2004) by Eszter Salamon, Abbotsford Convent

2017

• Snails by Grażyna Roguski, Times New Romantic, (M.I/mi1glissé)
• Aggregate by Alexandra Pirici, Neuer Berliner Kunstverein (n.b.k.)
• pool (no water), performative reading of Mark Ravenhill’s text Kunsthaus KuLe, Gallery Weekend Berlin
• Between Us, or Who Cares About Resolution by Roni Katz, DOCK 11 (Berlin) and Performing Arts Forum (France)
• We are the Monsters by Colette Sadler (Antwerp, Le Mans, Hardelot, Hull, Nottingham, Jena)

2016

• outside before beyond by Alicia Frankovich, Kunstverein für die Rheinlande und Westfalen Düsseldorf
• MANON LESCAUT, MANON LET'S GO (after Puccini, but not really) by Lulu Oberymayer, Uferstudios
• RADICAL TOGETHERNESS with Stefan Jovanovic, Architectural Association
• Snails by Grażyna Roguski, Potnia Theron, TU Dresden Altana Gallery
• Animal Companion by Hana Lee Erdman, NGBK, Berlin
• Shine Theory by Alicia Frankovich Aesthetics of Resistance, District and HAU
• We are the Monsters by Colette Sadler (Brighton Dome, Nottingham, The Lowry, Manchester)
• Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Festival d'automne à Paris, Centre Georges Pompidou
• Signals by Alexandra Pirici, Berlin Biennale (BB9), Kunst-Werke Institute for Contemporary Art
• TRANSCENDING, for peace by Lilach Livne, Sydney Biennale (20BoS), Critical Path
• Camel by Geoffrey Watson, Next Wave Festival, Melbourne
• SOFT REALITY by Chloe Chignell, KINGS ARI, Melbourne

2015

• Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Kaldor Public Art Projects, Carriageworks
• Fluids by Alexandra Pirici, a reinvention of Allan Kaprow’s Happening Fluids (1967), Potsdamer Platz, Berlin
• Reflections by Mia Lawrence, THINK BIG festival, Munich
• Five Dance Constructions and Some Other Things (1960/61) including Huddle (1961), Slant Board (1961) and Scramble (1961) by Simone Forti, Index Foundation, Stockholm
• Unser Refrain by Michael Poetschko (Berlin)
• Title In Process (2015) and excerpts from Low Pieces (2009-2011) by Xavier Le Roy, Venice Biennale (Biennale College-Danza)
• Animal Companion by Hana Lee Erdman, Meinblau Project space
• Dancing Days by Stefan Dreher, DANCE Festival, Munich
• THANKSBODYDANCE by Leah Marojevic
• I Want To Believe - Explorations of Time and Texture #2 by Tarren Johnson, Tatwerk

2014

• Intermission by Maria Hassabi / ‘Framed Movements’ exhibition, ACCA, Melbourne Festival
• DANCERNESS, performative reading of Becky Hilton’s manifesto at Helen Grogan’s ‘Specific In-Between’, ACCA, Melbourne Festival
• An Artist in Your Backyard by Becky Hilton, through Dancehouse
• Australian Suburban Living Project / Harvest by Geoffrey Watson
• Drift (1974) by Trisha Brown, transmitted by Lauren Jenkins, Le Mouvement – Performing the City festival, Biel/Bienne

2013

• Groupness by Becky Hilton, Pieces for Small Spaces, Lucy Guerin Inc.

2023

Lulu by Lulu Obermayer, developed at brut, Vienna

• Micro Revolution by Judith Sanchez Ruiz and New Group, ACUD MACHT NEU (2015)
• Lilach Livne’s Neo-Abstract & The Non-Image: Issues of Spirit and Embodiment, Impulstanz Vienna (2017)

• 'Mattering' and 'Tongue rolls between smiles' published in Island Island (Bus Projects) and This Container 07
• Future City Inflatable, a conversation, To Do / To Make 2 at 215 Albion Street, Brunswick in association with Neon Parc
• Performing Formats: HYPERLANDS, Performance Paradigm #13
• She remembers, This Container 05, hosted by Carrierbag festival, Danse Atelier
• Before The Fact, This Container 02
• Our disappearing present (contributor), Next Wave Festival 2016
• Temporary Title, 2015 for Kaldor Public Art Projects blog
• They Come At Dawn - GDF, a collective writing for the future, Indigo Dance
• Anti-Obscurantism, Dancehouse Diary #8 ‘ WHAT THE BODY CAN DO – DANCE AND ETHICS
• Shared Division, published in Dancehouse Diary #7 ‘THE SACRED AND THE PROFANE – RITUALS OF NOW’, 2014
• NAKEDNESS IS A PROCESS NOT A STATE, Dancehouse Diary #6 ‘THE BODY IN THE RAW – NUDITY, TODAY’, 2014

Reviews

• Kaya(review) by Yuko Kaseki and Antonis Annisegos, Viereinhalb Sätze (4.5)

• Conversations in Vermont, Steve Paxton interview by Myriam Van Imschoot, published on Oral Site
• Jupiter, artist book about Andreas Sell, written by Joel Mu, published by BOM DIA
• 'La danse contemporaine japonaise, du passé au présent' by
  Yurika Kuremiya, ASIA TOPA 2020, Dancehouse, Melbourne
• Editorial Assistant to Moriah Evans and John Hoobyar for the 2019 Tanzkongress
• Betraying Ambition by Diego Agulló
• In the beginning was a copy by Agata Siniarska
• The Soft Act of Killing by Agata Siniarska
• In Between Festival publication, Poland

• Initated P0$$€ dance and reading group MELBOURNE with Rebecca Jensen and Sarah Aiken
• co-produced of 'Being a Pig - or a questionable formula for the practice of dance' a workshop by Deborah Hay at Abbotsford Convent (2019)
• Delegate Speaker at Revision Summit #18 at Kraftwerk Berlin, November 2018
• Panel presenter at PROCESS LOOP: ATMOSPHERE: Time, Space and the Senses, May 2016, Melbourne

• Klein Technique™ Certification Program with Susan Klein (TCP5), in progress
• Victorian College of the Arts
• Klein Technique™, A class for a cause
• The Place, London
• Lucy Guerin Inc., ongoing professional classes
• Dance and Choreography workshops at The Watermill Centre
• State Theatre of Western Australia
• The Center, Berlin
• St. Michael’s Grammar School, Melbourne
• Platform Arts
• Gippsland Performing Arts Centre
• Studio Luke Hockley, Melbourne
• Chunky Move
• Studio 142, Berlin

2019

• danceWEB Scholarship Programme ('frog') in the frame of ImPulsTanz – Vienna International Dance Festival with mentors Anne Juren, Annie Dorsen and Mette Ingvartsen
• Choreography-Gallery-Practice: Workshop, UNSW
• Kaldor Public Art Project 34: Asad Raza, 'Absorption' research workshop

2018

• ‘Body Politics’ at Bus Projects, Melbourne
• International Summer Residency project at Watermill Center with Robert Wilson (USA)

2017

• Belgrade AIR residency with Leah Marojevic
• Arts House 4 Walls residency

2016

• CND (centre national de la danse) residency (Paris) with The Pool (collective)
• Choreographic Research Week (Bassano, Italy), BMOTION festival
• danceWEB Scholarship Programme 2016, ImPulsTanz – Vienna International Dance Festival with the mentorship of Tino Sehgal and Louise Höjer
• Zagreb Dance Centre (Zagreb Plesni Centar, ZPC) residency
• 2016 residency at Lucy Guerin Inc.

2015

• Indigo Dance Festival, PAF, Performing Arts Forum, Summer University, St. Erme, France, 2015

2019

• Tanja Liedtke Foundation
• American Australian Association

2015/16

• Graduate Mentorship Scholarship (Victorian College of the Arts, The University of Melbourne), mentored by Sandra Parker

2014

• Ian Potter Cultural Trust
• Artstart grant from the Arts Funding Division of the Australia Council for the Arts

2011

• Victorian College of the Arts and Music Endowment Scholarship for Dance