Contact

Education

2018

  • How Dance Thinks course at DOCH, School of Dance and Circus - Uniarts - Stockholm

2013

  • Bachelor of Dance Victorian College of the Arts, The University of Melbourne

Selected Work

2019

  • Mattering with Megan Payne at Movement Research at Judson Church
  • Womb Cave with Deborah Birch at rile.space as part of Next to all those organs you love
  • Choreography with Megan Payne, as part of Crush by Jacqui Shelton in the frame of 'OCTOPUS 19 - VENTRILOQUY' at Gertrude Contemporary
  • Mattering with Megan Payne, PSAS, Perth

2018

  • Continuous Monument with Ellen Davies at MPavilion
  • P∞l with Sam Khoshbin and Asher Shay-Nemirow commissioned by The Watermill Center (US)
  • Tongue rolls between smiles with Megan Payne, FUR Hairdressing (June), Bus Projects (August) in Lessons from Dancing curated by Zoe Theodore and TO DO / TO MAKE at 215 Albion Street, Brunswick in association with Neon Parc
  • Surface Practice with Ellen Davies for HASTY WORK as part of WORKAROUND – WOMEN DESIGN ACTION at RMIT Design Hub
  • A Symmetry Project for St. Michael’s Grammar School, Gasworks Theatre
  • Future City Inflatable with Ellen Davies, Next Wave Festival
  • Solutions commissioned by Practice Studio Practice at Pitch Festival

2017

  • Imaginary Dances in the frame of Alternativen zum Selbst, Performing Arts Festival Berlin, Kunsthaus KuLe
  • Beyond Before (Woolloomooloo), 2017, curated in re-dance, ada studio, Uferstudios
  • Crystal Anniversary, VULVA CLUB #15, hosted by Female Trouble at Tanztage, Sophiensaele

2016

  • Before The Fact, Keir Choreographic Award, Dancehouse
  • Now Is Not The Place, Murray White Room, Melbourne

2015

  • SHIP with Rachell Clark, NAH DRAN, ada Studio, Uferstudios

Selected Collaborations

2019

  • Entre Deux Actes (Ménage à Quatre) by Nairy Baghramian and Maria Hassabi, The Kitchen | Performa 19, New York (US)
  • Two Planets Have Been Colliding for Thousands of Years, 2017 by Dora García, Walking Through Walls, Martin Gropius Bau
  • Die Zukunft a Menti with Cammack Lindsey [i.ruuu ]
  • FIGURES by Maria Hassabi (June 14, 15 / GIACIMENTA in the frame of MATERA 2019, Matera (Italy); June 29, 30 / Künstlerhaus Bregenz, Bregenz (Austria); July 20, 21 / MUDAM Luxembourg Museum, Luxembourg City (Luxembourg); May 28 / OUT SCORE at Aixoni Sculpted Theater, Athens (Greece)
  • A Treatise On Limnology a film by Dane Komljen, choreography by Rose Beermann
  • Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Haus der Kultur der Welt, as part of the event Life Forms, Berlin and at Centre National de la Danse - Pantin, as part of the series, Repertoire
  • Still Untitled by Xavier Le Roy, Centre National de la Danse - Pantin, as part of the series, Repertoire
  • Affection Play with Rowan Oliver in the frame of Personal Touch at Incinerator Gallery

2018

  • Affection Play with Rowan Oliver, wherelunga, Perth and Itchy at SEVENTH Gallery
  • Sinkhole by Jess Gall, Arini Byng and Rebecca Jenson as part of Why Listen to Plants? curated by Liquid Architecture and Irene Rose gallery, Melbourne
  • Exoplanets by Alicia Frankovich at Monash University Museum of Art
  • Light, colour and quiet conversations by Sarah Aiken, presented as a part of Critical Mass in Melbourne Fringe at Brunswick Mechanics Institute
  • Right of Reply for ‘Brief Sheet’ by Augusta Vinall Richardson
  • BEHAVIOUR part 7 by Shelley Lasica, TO DO / TO MAKE at 215 Albion Street, Brunswick in association with Neon Parc and Union House, The University of Melbourne
  • We Can’t Wait Much Longer by Noodlerice + Friends at The Watermill Center for TIME BOMB: The 25th Annual Watermill Center Summer Benefit & Auction
  • Line & Curve by Rowan Oliver, Alaska Projects, Sydney
  • Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Tanzplattform Deutschland, PACT Zollverein, Essen
  • Replay (2004) by Eszter Salamon, Abbotsford Convent

2017

  • Snails by Grażyna Roguski, Times New Romantic, (M.I/mi1glissé)
  • Aggregate by Alexandra Pirici, Neuer Berliner Kunstverein (n.b.k.)
  • pool (no water), performative reading of Mark Ravenhill’s text Kunsthaus KuLe, Gallery Weekend Berlin
  • Between Us, or Who Cares About Resolution by Roni Katz, DOCK 11 (Berlin) and Performing Arts Forum (France)
  • We are the Monsters by Colette Sadler (Antwerp, Le Mans, Hardelot, Hull, Nottingham, Jena)

2016

  • outside before beyond by Alicia Frankovich, Kunstverein für die Rheinlande und Westfalen Düsseldorf
  • MANON LESCAUT, MANON LET'S GO (after Puccini, but not really) by Lulu Oberymayer, Uferstudios
  • RADICAL TOGETHERNESS with Stefan Jovanovic, Architectural Association
  • Snails by Grażyna Roguski, Potnia Theron, TU Dresden Altana Gallery
  • Animal Companion by Hana Lee Erdman, NGBK, Berlin
  • Shine Theory by Alicia Frankovich Aesthetics of Resistance, District and HAU
  • We are the Monsters by Colette Sadler (Brighton Dome, Nottingham, The Lowry, Manchester)
  • Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Festival d'automne à Paris, Centre Georges Pompidou
  • Signals by Alexandra Pirici, Berlin Biennale (BB9), Kunst-Werke Institute for Contemporary Art
  • TRANSCENDING, for peace by Lilach Livne, Sydney Biennale (20BoS), Critical Path
  • Camel by Geoffrey Watson, Next Wave Festival, Melbourne
  • SOFT REALITY by Chloe Chignell, KINGS ARI, Melbourne

2015

  • Temporary Title, 2015 by Xavier Le Roy and Scarlet Yu, Kaldor Public Art Projects, Carriageworks
  • Fluids by Alexandra Pirici, a reinvention of Allan Kaprow’s Happening Fluids (1967), Potsdamer Platz, Berlin
  • Reflections by Mia Lawrence, THINK BIG festival, Munich
  • Five Dance Constructions and Some Other Things (1960/61) including Huddle (1961), Slant Board (1961) and Scramble (1961) by Simone Forti, Index Foundation, Stockholm
  • Unser Refrain by Michael Poetschko (Berlin)
  • Title In Process (2015) and excerpts from Low Pieces (2009-2011) by Xavier Le Roy, Venice Biennale (Biennale College-Danza)
  • Animal Companion by Hana Lee Erdman, Meinblau Project space
  • Dancing Days by Stefan Dreher, DANCE Festival, Munich
  • THANKSBODYDANCE by Leah Marojevic
  • I Want To Believe - Explorations of Time and Texture #2 by Tarren Johnson, Tatwerk

2014

  • Intermission by Maria Hassabi / ‘Framed Movements’ exhibition, ACCA, Melbourne Festival
  • DANCERNESS, performative reading of Becky Hilton’s manifesto at Helen Grogan’s ‘Specific In-Between’, ACCA, Melbourne Festival
  • An Artist in Your Backyard by Becky Hilton, through Dancehouse
  • Australian Suburban Living Project / Harvest by Geoffrey Watson
  • Drift (1974) by Trisha Brown, transmitted by Lauren Jenkins, Le Mouvement – Performing the City festival, Biel/Bienne

2013

  • Groupness by Becky Hilton, Pieces for Small Spaces, Lucy Guerin Inc.

Assistance

  • Micro Revolution by Judith Sanchez Ruiz and New Group, ACUD MACHT NEU (2015)
  • Lilach Livne’s Neo-Abstract & The Non-Image: Issues of Spirit and Embodiment, Impulstanz Vienna (2017)

Writing

  • 'Mattering' and 'Tongue rolls between smiles' published in Island Island (Bus Projects) and This Container 07
  • Future City Inflatable, a conversation, To Do / To Make 2 at 215 Albion Street, Brunswick in association with Neon Parc
  • Performing Formats: HYPERLANDS, Performance Paradigm #13
  • She remembers, This Container 05, hosted by Carrierbag festival, Danse Atelier
  • Before The Fact, This Container 02
  • Our disappearing present (contributor), Next Wave Festival 2016
  • Temporary Title, 2015 for Kaldor Public Art Projects blog
  • They Come At Dawn - GDF, a collective writing for the future, Indigo Dance
  • Anti-Obscurantism, Dancehouse Diary #8 ‘ WHAT THE BODY CAN DO – DANCE AND ETHICS
  • Shared Division, published in Dancehouse Diary #7 ‘THE SACRED AND THE PROFANE – RITUALS OF NOW’, 2014
  • NAKEDNESS IS A PROCESS NOT A STATE, Dancehouse Diary #6 ‘THE BODY IN THE RAW – NUDITY, TODAY’, 2014

Reviews

  • Kaya(review) by Yuko Kaseki and Antonis Annisegos, Viereinhalb Sätze (4.5)

Editing

  • Editorial Assistant to Moriah Evans and John Hoobyar for the 2019 Tanzkongress
  • Betraying Ambition by Diego Agulló
  • In the beginning was a copy by Agata Siniarska
  • The Soft Act of Killing by Agata Siniarska
  • In Between Festival publication, Poland

Host/Guest

  • Initated P0$$€ dance and reading group MELBOURNE with Rebecca Jensen and Sarah Aiken
  • co-produced of 'Being a Pig - or a questionable formula for the practice of dance' a workshop by Deborah Hay at Abbotsford Convent (2019)
  • Delegate Speaker at Revision Summit #18 at Kraftwerk Berlin, November 2018
  • Panel presenter at PROCESS LOOP: ATMOSPHERE: Time, Space and the Senses, May 2016, Melbourne

Teaching

  • Klein Technique™ Certification Program with Susan Klein (TCP5), in progress
  • Dance and Choreography workshops at The Watermill Centre (2019)
  • Workshop at State Theatre of Western Australia (2019)
  • The Center, Berlin (2014-2017)
  • St. Michael’s Grammar School, Melbourne (2012 and 2018)

Residencies/Collective structures

2019

  • danceWEB Scholarship Programme ('frog') in the frame of ImPulsTanz – Vienna International Dance Festival with mentors Anne Juren, Annie Dorsen and Mette Ingvartsen
  • Choreography-Gallery-Practice: Workshop, UNSW
  • Kaldor Public Art Project 34: Asad Raza, 'Absorption' research workshop

2018

  • ‘Body Politics’ at Bus Projects, Melbourne
  • International Summer Residency project at Watermill Center with Robert Wilson (USA)

2017

  • Belgrade AIR residency with Leah Marojevic
  • Arts House 4 Walls residency

2016

  • CND (centre national de la danse) residency (Paris) with The Pool (collective)
  • Choreographic Research Week (Bassano, Italy), BMOTION festival
  • danceWEB Scholarship Programme 2016, ImPulsTanz – Vienna International Dance Festival with the mentorship of Tino Sehgal and Louise Höjer
  • Zagreb Dance Centre (Zagreb Plesni Centar, ZPC) residency
  • 2016 residency at Lucy Guerin Inc.

2015

  • Indigo Dance Festival, PAF, Performing Arts Forum, Summer University, St. Erme, France, 2015

Awards/Support

2019

  • Tanja Liedtke Foundation
  • American Australian Association

2015/16

  • Graduate Mentorship Scholarship (Victorian College of the Arts, The University of Melbourne), mentored by Sandra Parker

2014

  • Ian Potter Cultural Trust
  • Artstart grant from the Arts Funding Division of the Australia Council for the Arts

2011

  • Victorian College of the Arts and Music Endowment Scholarship for Dance